Posts in Reviews
AON IN PRINT MAGAZINE'S 'THE DAILY HELLER'

Honored to see Daniel Kaven’s Architecture of Normal featured in PRINT Magazine’s The Daily Heller, a design digest dubbed a “must-follow feed in the world of design” by Wired Magazine.

"Kaven has assembled an enticing visual narrative that includes extensive historical photography, architecture commentary, personal anecdote and original art. It serves as a critical travelogue of what the world accepts as the American landscape, but leaves the door open for further debate over whether it is a dream-scape or nightmare."

- Steven Heller, The Daily Heller / PRINT Magazine

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HEARTWOOD RESIDENCE IN GLOBAL DESIGN NEWS

“William / Kaven Architecture has designed a luxurious private residence organized around a central courtyard, breaking the boundaries of indoor and outdoor spaces.”

-Global Design News

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ARCHITECTURE OF NORMAL IN SPACING MAGAZINE

"Book Review: Architecture of Normal – The Colonization of the American Landscape" by Sean Ruthen

Architecture of Normal was reviewed in Toronto-based Spacing Magazine.

“Part Zen and the Art of Motorcycle Maintenance, and part Learning from Las Vegas, this honest portrayal of the connection between urbanization and colonization from Portland-based artist Daniel Kaven is a cornucopia of visual imagery.”

—Sean Ruthen, Spacing Magazine

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Architecture of Normal: The Colonization of the American Landscape reads like an enthralling textbook—a breezy history teeming with photography, original artwork, and timelines—even as its author offers a more cautionary take on what we have wrought.”

—Brian Libby, Metropolis

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ARCHITECTURE OF NORMAL IN METROPOLIS MAGAZINE

"On the Road or In the Air, Daniel Kaven Sees the Journey as Destination": Daniel Kaven sits down with Metropolis to discuss Architecture of Normal and the future of cities in America.

Architecture of Normal: The Colonization of the American Landscape reads like an enthralling textbook—a breezy history teeming with photography, original artwork, and timelines—even as its author offers a more cautionary take on what we have wrought.”

—Brian Libby, Metropolis

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